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DeadLists Project

Grateful DeadGrateful Dead Live at Radio City Music Hall on 1980-10-22 (October 22, 1980)

something has gone horribly wrong 8-p
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Collection: GratefulDead
Band/Artist: Grateful Dead
Date: October 22, 1980 (check for other copies)
Venue: Radio City Music Hall
Location: New York, NY

Source: Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII-C90)
Lineage: Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Orchestra Row SS, Seat 109
Taped by: Bob Morris
Transferred by: Bob Morris
Keywords: Audience; Bob Morris


Set 1

Dire Wolf, On The Road Again, I've Been All Around This World, Monkey & The Engineer, To Lay Me Down, Heaven Help The Fool, Bird Song-> Ripple

Set 2

Alabama Getaway-> Greatest Story Ever Told, Friend Of The Devil, Me & My Uncle-> Big River, Peggy-O, Minglewood Blues, China Cat Sunflower-> I Know You Rider

Set 3

Scarlet Begonias-> Fire On The Mountain-> Lost Sailor-> Saint Of Circumstance-> Drums-> Not Fade Away-> Goin' Down The Road Feelin' Bad-> Good Lovin', E: U.S. Blues

First Set Acoustic


Tape flip between drums and space. Some crowd/tuning deleted
Recorded from Orchestra Row SS, Seat 109 by Bob Morris
Thanks to Sam for help and to Dave B for lending his Naks

Individual Files

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gd1980-10-22.nak300.morris.101778.sbeok.flac16_vbr.m3u VBR M3U Stream VBR ZIP 226.4 MB 
[generated VBR MP3 ZIP] VBR MP3 ZIP Stream 
Audio Files Flac VBR MP3 Ogg Vorbis PNG
announcement / tuning 15.3 MB 
3.4 MB 
2.0 MB 
9.1 KB 
Dire Wolf 23.3 MB 
4.9 MB 
2.9 MB 
10.4 KB 
tuning 2.8 MB 
689.0 KB 
411.5 KB 
5.1 KB 
On The Road Again 17.9 MB 
3.8 MB 
2.3 MB 
11.6 KB 
tuning 3.2 MB 
747.0 KB 
439.6 KB 
7.5 KB 
I've Been All Around This World 32.3 MB 
7.1 MB 
4.2 MB 
10.5 KB 
Monkey & The Engineer 18.8 MB 
3.9 MB 
2.3 MB 
10.8 KB 
To Lay Me Down 55.6 MB 
12.2 MB 
7.0 MB 
10.6 KB 
Heaven Help The Fool 40.6 MB 
8.8 MB 
5.1 MB 
10.6 KB 
Bird Song -> 49.3 MB 
10.6 MB 
6.2 MB 
11.2 KB 
Ripple 27.0 MB 
5.7 MB 
3.4 MB 
11.2 KB 
tuning 9.5 MB 
2.3 MB 
1.4 MB 
7.3 KB 
Alabama Getaway -> 30.0 MB 
6.2 MB 
3.7 MB 
10.9 KB 
Greatest Story Ever Told 26.5 MB 
5.6 MB 
3.3 MB 
11.2 KB 
keep the aisles clear" 2.4 MB 
592.0 KB 
350.6 KB 
6.7 KB 
Friend of the Devil 68.1 MB 
14.9 MB 
8.7 MB 
10.5 KB 
Me & My Uncle -> 19.8 MB 
4.1 MB 
2.3 MB 
11.5 KB 
Big River 35.7 MB 
7.5 MB 
4.3 MB 
10.8 KB 
Peggy-O 41.7 MB 
9.6 MB 
5.4 MB 
10.2 KB 
New Minglewood Blues 46.6 MB 
9.9 MB 
5.8 MB 
10.9 KB 
China Cat Sunflower -> 41.7 MB 
8.9 MB 
5.2 MB 
10.7 KB 
I Know You Rider 41.4 MB 
8.7 MB 
5.1 MB 
11.0 KB 
Scarlet Begonias -> 52.8 MB 
11.4 MB 
6.7 MB 
10.9 KB 
Fire on the Mountain -> 49.2 MB 
10.4 MB 
6.2 MB 
10.9 KB 
Lost Sailor -> 40.4 MB 
9.1 MB 
5.1 MB 
10.4 KB 
St of Circumstance -> 47.7 MB 
9.8 MB 
5.6 MB 
10.6 KB 
drums -> 18.1 MB 
4.7 MB 
2.8 MB 
9.7 KB 
space -> 27.9 MB 
7.0 MB 
4.1 MB 
10.1 KB 
Not Fade Away -> 33.4 MB 
7.3 MB 
4.3 MB 
11.2 KB 
Goin' Down The Road -> 35.5 MB 
7.4 MB 
4.3 MB 
10.8 KB 
Good Lovin' 37.9 MB 
8.1 MB 
4.9 MB 
11.3 KB 
U.S. Blues 35.9 MB 
7.2 MB 
4.4 MB 
10.8 KB 
Information FormatSize
gd1980-10-22.101778.ffp Flac FingerPrint 1.8 KB 
gd1980-10-22.nak300.morris.101778.sbeok.flac16.ffp Flac FingerPrint 1.8 KB 
gd1980-10-22.nak300.morris.101778.sbeok.flac16.md5 Checksums 1.8 KB 
gd1980-10-22.101778.md5 Checksums 1.8 KB 
gd1980-10-22.nak300.morris.101778.sbeok.flac16_files.xml Metadata [file] 
gd1980-10-22.nak300.morris.101778.sbeok.flac16_meta.xml Metadata 3.7 KB 
gd1980-10-22.nak300.morris.101778.sbeok.flac16_reviews.xml Metadata 4.7 KB 
Other Files Text Archive BitTorrent
gd1980-10-22.101778.txt 3.7 KB 
gd1980-10-22.nak300.morris.101778.sbeok.flac16_archive.torrent 67.6 KB 

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Average Rating: 5.00 out of 5 stars5.00 out of 5 stars5.00 out of 5 stars5.00 out of 5 stars5.00 out of 5 stars

Reviewer: olympiaroad - 5.00 out of 5 stars5.00 out of 5 stars5.00 out of 5 stars5.00 out of 5 stars5.00 out of 5 stars - September 28, 2011
Subject: Classic show/wonderful and interesting recording!
Oh my god! LIsten to this particular version of this great show. The intrepid taper, despite his bonehead friends, (sorry, bonehead friends, if you are reading this. I hope you are not offended and I'd have to bet you'd agree, after some reflection throughout these years, that all of your advice for the taper throughout the show, ("hit pause until Jerry comes back on"), was comically bad advice. When you listen to this show, you will find yourself arguing with the friends as if you were there. And that's the great thing about this recording: it has presence. (Again to the taper's friends: I salute you for whatever role you played in smuggling the gear in to this allegedly more heavily policed show environment than usual, (due to the Dead's goal of recording an album).

This is one of the all-time great shows and an uncharacteristically incredible recording for a tour blessed with many partial, (mostly acoustic sets) soundboards and at least one serious lull, (in the middle of the Warfield run) of harsh but listenable Nak recordings. (Again, no offense to the intrepid tapers of those shows.)

What a difference 3000 miles makes! If you listen to the Warfield run in order, you get lulled into this feeling that you're at the neighborhood bar listening to your favorite local originals/covers band. (My favorite, next to 1980 Grateful Dead is the Ray Mason Band of Northampton Massachusetts.) But then through the prism of New Orleans (at least listen to the Truckin' from that run), they arrive in New York where everyone knows what songs they played in California and was going to sing/shout along with all of them!

Woooooo!!! Jerrreee!!!! You're all in the middle of it with this recording. For a while, the taper keeps the mics low. (Again, I think the friends are mostly responsible for this. In their defense, they must have been the lookouts and by the sounds of it, tapers were getting busted.) The friends recognize China Cat Sunflower, (in the "first" set no less) as being of particular importance, so they urge him to raise the mics slightly. He does and suddenly you are awash in the speaker stacks bouncing Grateful Dead at their prime off the balconies of RCMH. Carter is still president; John Lennon is still alive and suggests he may tour.

Taper stays ballsy for the final set and keeps the mics up. Second set is much heavier in terms of "big" songs than most of these three set shows, (especially if you count China/Rider, which of course, is from the first electric set, which was actually a more common placement for this-at the time-somewhat rare song-in 1980. Two more big combos follow, (the St. of Circumstance has a late 80's confidence to it several years early. Not tentative at all. Inventive, confident Grateful Dead that, by the post-drums, is rocking hard. Mr. Dwork in Taper's Compendium complains that NFA is too slow. There are far slower ones from 78-79. Bobby is all over that and GDTRFB. Absolutely perfect U.S. Blues.

This show provides a great juxtaposition with the previous one, the valedictory show at the Warfield. The former is a steady, introspective consideration of the Grateful Dead's poetry and artistic life and a "thank you" to a loyal, local following. The next show is a rousing welcome to the future of the Grateful Dead. The next spring would see the beginning of a campaign to turn on the east coast, particularly the north east with an almost seasonal opportunity to dose and go see the Dead within a 100 mile radius of your house. The popularity of the GD in the 1980's would largely be based on the ability of the shows and performances-both by the performers themselves and by their audience-to go completely over the top. This show, more than the final show at the Warfield, exemplifies the way forward.

A note about the quality: yes, you can hear the friends talk occasionally, but when they do, it's actually pretty cool. Otherwise, crowd does not get in the way and the sound quality is quite good throughout with improvement during China Cat due to the mics being raised slightly. It's not like the mics are in his shirt though. Sound is clear throughout and, more significantly, there's a great "room" presence to the recording.

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